III. Hugh Selwyn Mauberley (1920) is a long poem by the American-born modernist poet Ezra Pound (1885-1972), who described the poem as his ‘farewell to London’. This detailed literature summary also contains Bibliography on Hugh Selwyn Mauberley by Ezra Pound. One question to ask ourselves of this poem is: what is the relationship between form and subject matter, between the way Pound has written the poem and what the poem is about? Hugh Selwyn Mauberley is a long poem, published in 1920. In the first section of the poem, Pound portrays himself as "E. P.," a typical turn-of-the-century aesthete, and then in the second he becomes "Mauberley," an aesthete of a different kind. But to understand Hugh Selwyn Mauberley it is also necessary to understand Pound’s fondness for adopting personae – this was the title he gave to his second collection of poetry published in 1909. It has been considered as a turning point in Pound's career, and its completion was quickly followed by his departure from England. The name "Selwyn" may have been an special honor to Rhymers' Club member Sekwyn Image. "Hugh Selwyn Mauberley" is not just Pound's farewell to London; it is Pound's definitive good-bye to his earlier selves. Mauberley is attacking the cheapened philistine consumerism of the modern age, but are we also being invited to laugh at Mauberley? Pound explained his approach to the dramatic lyric in a letter to his friend William Carlos Williams (who himself would become an important modernist poet, but over the other side of the Atlantic). by Edgar Eduardo Garcia. If the poem is partly about how the Romantic age of poetry is exhausted, then how would the impersonality of the poem, and the quatrain form it utilises in various ways, help to reflect this? In the early poems, Pound portrays E. P. as a figure only too happy to pursue shallowness in art and the cheap reproduction of what has worked before. Both E. P. and Mauberley are facets of Pound's own character that, in a sense, the poem is meant to exorcise. The influential critic F. R. Leavis was one of the first to subject Hugh Selwyn Mauberley to detailed analysis, in his 1932 book New Bearings in English Poetry which discussed Pound alongside T. S. Eliot and Gerard Manley Hopkins. The circumstances of his departure, in combination with the poem’s satirical inveighing of English culture and intellectual life, prompt readings of the poem as a transitional work. In the poem, Pound uses two alter egos to discuss the first twelve years of his career, a period during which aesthetic and literary concerns fully engaged Pound's attention. Interesting Literature is a participant in the Amazon EU Associates Programme, an affiliate advertising programme designed to provide a means for sites to earn advertising fees by linking to Amazon.co.uk. Order our Hugh Selwyn Mauberley Study Guide, teaching or studying Hugh Selwyn Mauberley. This study guide contains the following sections: This detailed literature summary also contains Bibliography on This Study Guide consists of approximately 62 pages of chapter summaries, quotes, character analysis, themes, and more - A reading of Pound’s poem. Leavis remarked that the poem was ‘the summing-up of an individual life’ but also reflects the ‘miscellaneousness of modern culture’ and ‘the absence of direction’; another important theme in Mauberley, for Leavis, is ‘the uncongeniality of the modern world to the artist’. Like T. S. Eliot’s theory of impersonality (put forward in his essay ‘Tradition and the Individual Talent’), Pound’s adoption of personae in his poetry – an idea also strongly indebted to the poetry of Robert Browning – is a way of transmuting personal truths into art. Get Hugh Selwyn Mauberley from Amazon.com. Hugh Selwyn Mauberley (1920) is a long poem by Ezra Pound.It has been regarded as a turning point in Pound's career (by F.R. Ezra Pound's 1920 poem "Hugh Selwyn Mauberley" is a landmark in the career of the great American modernist poet. (It’s somewhat amusing that when Pound published Ripostes three years later, the page at the beginning of the book listing ‘Books by the Same Author’ misprinted the title of Personae as ‘Personal’ – try as Pound might, people were intent on taking his poetry personally!) Image: Ezra Pound photographed in Kensington, London, October 22, 1913. Pound’s long poem Hugh Selwyn Mauberley is a treatise on the problems of modern life, seen through the eyes of the fictional man for whom the poem is named. Sorry, your blog cannot share posts by email. everything you need to sharpen your knowledge of Hugh Selwyn Mauberley. Another remark of Leavis’s is worth bearing in mind here: talking of Eliot and Pound, he writes of how both Eliot and Pound have found a way ‘to express so subtly by rhythmic means the break-down of rhythm’. Enter your email address to subscribe to this site and receive notifications of new posts by email. Pound told his friend Viola Baxter that each of the figures dramatised in his poetry was a mask (in other words, a persona – the word is Latin for ‘mask’) through which to ‘give you that part of me which is most real, most removed from the transient personality’. One of the primary themes of “Hugh Selwyn Mauberley” is the difference between art that aspires only to outer beauty and art that aims at profundity. Poetry needed to be revitalised and rejuvenated, but nobody – not even Pound – was clear about what needed to be done. Hugh Selwyn Mauberley by Ezra Pound. For Pound, the dramatic lyric was a matter of ‘catch[ing] the character I happen to be interested in at the moment he interests me – usualy a moment of song, self-analysis, or sudden understanding, or revelation’. Pound wrote in a letter of 1922 to Felix Schelling, ‘Of course, I’m no more Mauberley than Eliot is Prufrock’, but then Pound wouldn’t be the first poet to distance himself from the speaker of one of his poems. So, as well as being about poetry itself, Hugh Selwyn Mauberley is also about WWI and the effect of the war and its aftermath on the generation to which Pound belonged (his earlier associate, T. E. Hulme, had been killed in the war in 1917). It is personal yet impersonal; ‘Hugh Selwyn Mauberley’ both is and is not Pound himself; the poem rejects one mode of English poetry as moribund, but is aware that the new mode – whatever form it might take – is powerless to be born. On the issue of Pound’s use of a persona here – the figure of Mauberley – we might also ask: how far is the poem an indictment of society and how far is it also sending up its protagonist? Ezra Pound photographed in Kensington, London, October 22, 1913. Hugh Selwyn Mauberley, long dramatic poem by Ezra Pound, published in 1920, that provides a finely chiseled “portrait” of one aspect of British literary culture of the time. The poem also hammers home just how exhausted the older, Romantic mode of English poetry had become by the early twentieth century. Well, one answer to this question is that the poet seeking a more ‘classical’ or restrained style might do well to utilise a more rigid stanza form to reflect a classical spirit. But that really is another story. XXX Logopoeia "the dance of intellect among words" (939) How we decipher meaning through The poem also takes us to the catastrophe of the early twentieth century, World War I, and bluntly illustrates its effects on the literary world. Hugh Selwyn Mauberley (1920) is a long poem by the American-born modernist poet Ezra Pound (1885-1972), who described the poem as his ‘farewell to London’.

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